{"id":282,"date":"2005-05-12T21:02:44","date_gmt":"2005-05-12T13:02:44","guid":{"rendered":""},"modified":"2010-06-25T11:55:53","modified_gmt":"2010-06-25T03:55:53","slug":"half_life_2_characters_in_australian_sub","status":"publish","type":"post","link":"https:\/\/nick.onetwenty.org\/index.php\/2005\/05\/12\/half_life_2_characters_in_australian_sub\/","title":{"rendered":"Half-life 2 characters in Australian suburbia"},"content":{"rendered":"<p class=\"bloglink\"><a href=\"http:\/\/www.facepunchstudios.com\/forums\/showthread.php?t=21286&#038;page=1&#038;pp=20\">http:\/\/www.facepunchstudi&#8230;86&#038;page=1&#038;pp=20<\/a><\/p>\n<p>This is hilarious! I love the one with the super-soldier knocking on the back door :). Ripped from <a href=\"http:\/\/www.bigkid.com.au\">http:\/\/www.bigkid.com.au\/<\/a><\/p>\n<p>&#8220;An Australian member on the facepunchstudios.com forums has been putting together some clever realistic renders of Half Life 2 models using High Dynamic Range rendering in 3DStudio Max. The models are composited into real world environments (ie. Aussie suburbia) and the results look quite stunning&#8230;&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/www.facepunchstudi&#8230;86&#038;page=1&#038;pp=20 This is hilarious! I love the one with the super-soldier knocking on the back door :). Ripped from http:\/\/www.bigkid.com.au\/ &#8220;An Australian member on the facepunchstudios.com forums has been putting together some clever realistic renders of Half Life 2 models using High Dynamic Range rendering in 3DStudio Max. The models are composited into real world &hellip; <a href=\"https:\/\/nick.onetwenty.org\/index.php\/2005\/05\/12\/half_life_2_characters_in_australian_sub\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Half-life 2 characters in Australian suburbia&#8221;<\/span><\/a><\/p>\n","protected":false},"author":67,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paLsRH-4y","_links":{"self":[{"href":"https:\/\/nick.onetwenty.org\/index.php\/wp-json\/wp\/v2\/posts\/282"}],"collection":[{"href":"https:\/\/nick.onetwenty.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nick.onetwenty.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nick.onetwenty.org\/index.php\/wp-json\/wp\/v2\/users\/67"}],"replies":[{"embeddable":true,"href":"https:\/\/nick.onetwenty.org\/index.php\/wp-json\/wp\/v2\/comments?post=282"}],"version-history":[{"count":1,"href":"https:\/\/nick.onetwenty.org\/index.php\/wp-json\/wp\/v2\/posts\/282\/revisions"}],"predecessor-version":[{"id":3984,"href":"https:\/\/nick.onetwenty.org\/index.php\/wp-json\/wp\/v2\/posts\/282\/revisions\/3984"}],"wp:attachment":[{"href":"https:\/\/nick.onetwenty.org\/index.php\/wp-json\/wp\/v2\/media?parent=282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nick.onetwenty.org\/index.php\/wp-json\/wp\/v2\/categories?post=282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nick.onetwenty.org\/index.php\/wp-json\/wp\/v2\/tags?post=282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}